The film adaptation of Angels in America and film readings of the poetic images in T.S. Eliot’s The Waste Land and Four Quartets
DOI:
https://doi.org/10.18485/kis.2021.53.174.17Keywords:
film, identity, literature, discourse transformation, referentiality, modernism and postmodernism, conflict of intertextual modelsAbstract
The paper presents an interdisciplinary study of the connections between literature and film. The way the film is presented points to the fact that it is radically connected to the story as we understand it in literature. On the other hand, in the literature of the modern and postmodern era, poetic and narrative works owe their integrity to the connections they take from film techniques. Reading books and watching movies, we notice that enriched interpretations can only survive in the modern age, which calls us not to look at things individually and individually, but in connection, and to look for a connection on the logical plane in which our education participates.
References
IZVORI
Angels in America. directed by Mike Nichols. Screenplay by Tony Kushner.
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Eliot, T. S. The Complete Poems and Plays 1909-1950: "The Waste Land". New York: Harcourt Brace & Company, 1952.
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