Restlessness, Wanderlust and Migration in Endgame
DOI:
https://doi.org/10.18485/kis.2020.52.170.4Keywords:
Samuel Beckett, Endgame, Fin de partie, Hamm, Clov, manuscript, migrationAbstract
This paper offers an insight into Samuel Beckett’s Fin de partie /Endgame from the viewpoints of restlessness, wanderlust and migration. The close-reading of unpublished, discarded manuscripts from the early stages of the genesis of the play provides a deeper understanding of the relationship dynamics between Hamm and Clov. Both the preliminary versions of Fin the partie and Beckett’s own directions (1967, 1980) suggest that the characters and their forerunners express a strong desire to leave the premises of Hamm’s shelter and be elsewhere (the kitchen, shopping, the raft), or preferably be nowhere at all. The continuation of life and reproduction are enemies to Hamm. Consequently, he fails to help people who turn to him in mortal danger. The aspect of migration can be best traced in Hamm’s story about a displaced, uprooted man, the sole survivor of a catastrophe who comes to him one Christmas Eve to ask for some bread for his son.
References
Beckett, Samuel, Untitled, Unpublished, Undated Typescript, in the Folder Abandoned Theatre in French, Beckett Manuscript Collection, University of Reading (MS 1227/7/16/2).
Beckett, Samuel. [A&B]. Undated, Unpublished Typescript. Beckett Manuscript Collection, University of Reading (MS 1660).
Beckett, Samuel. Avant Fin de partie. Undated, Unpublished Typescript. Beckett Manuscript Collection, University of Reading (MS 1227/7/16/7).
Beckett, Samuel. Endgame. London: Faber and Faber, 1969.
Beckett, Samuel. Endspiel, Fin de partie, Endgame. Frankfurt am Main: Suhrkamp Verlag, 1974.
Beckett, Samuel. The Theatrical Notebooks of Samuel Beckett, Volume II: Endgame. Edited by Stanley E. Gontarski. London: Faber and Faber, 1992.
Cavell, Stanely. Must We Mean What We Say? A Book of Essays. Cambridge: Cambridge University Press, 2002. <a href="https://doi.org/10.1017/CBO9781316286616" target="_blank" rel="nofollow">Crossreff</a>
Gontarski, Stanley E. The Intent of Undoing in Samuel Beckett's Dramatic Texts. Bloomington: Indiana University Press, 1985.
<a href=" http://www.unesco.org/new/en/social-and-human-sciences/themes/international-migration/glossary/migrant/" target="_blank" rel="nofollow">International migration</a>, accessed 6 July 2018.
Knowlson, James and Elizabeth Knowlson, eds. Beckett Remembering: Remembering Beckett: Uncollected Interviews with Samuel Beckett and Memories of Those Who Knew Him. London: Bloomsbury, 2006.
Lawley, Paul. "Adoption in Endgame." Modern Drama 31, no. 4. (1988): 529-535. <a href="https://doi.org/10.3138/md.31.4.529" target="_blank" rel="nofollow">Crossreff</a>
Mary Bryden et. al. Beckett at Reading. Catalogue of the Beckett Manuscript Collection at The University of Reading. Reading: Whiteknights Press and the Beckett International Foundation, 1998.
McMillan, Dougald and Martha Fehsenfeld, eds. Beckett in the Theatre. London: John Calder, 1988.
Rákóczy, Anita. "In Search of Space and Locale in the Genesis of Beckett's Fin de partie", in Michela Bariselli et al. eds. Samuel Beckett and Europe. Newcastle upon Tyne: Cambridge Scholars Publishing, 2017.
Van Hulle, Dirk and Shane Weller, The Making of Samuel Beckett's Fin de partie/Endgame. London: Bloomsbury, 2018.
Downloads
Published
Issue
Section
License
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) that allows others to share the work with an acknowledgment of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgment of its initial publication in this journal.
- Authors are permitted and encouraged to post their published articles online (e.g., in institutional repositories or on their website, social networks like ResearchGate or Academia), as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).


